Jeff Bridges

Ed Lauter

Gary Busey

Randy Quaid

Lolly-Madonna XXX

Lolly-Madonna XXX (1973)

Corinne Bohrer

Ken Hudson Campbell

Adam Wylie

Under Wraps

Under Wraps (1997)

Gina Gershon

Adam Baldwin

Rene Auberjonois

Violent crime is routine. Organized drug trade runs rampant in the face of powerless authority. And a vicious street gang holds dominion with a savage reign of terror. Welcome to Lincoln High! Here "the Cobras" rule the school and everyone in it. Everyone except for Jeff Hanna. Once the most feared member of the Cobras, Hanna got sick of fighting and got out of the gang for good. But now The Cobras have brutalized his newfound girlfriend and threatened to kill him for his disloyalty. So it's time for one final fight. It's time for one more showdown after the school day ends. Its time for someone to die. Its 3:15—

3:15 the Moment of Truth

3:15 the Moment of Truth (1986)

Jim Carrey

Beverly D'Angelo

Brian Dennehy

A stolen fortune hidden in a coffin aboard a coast to coast train is at stake. A con-man, his protege, and a foul mouthed actress try to get their hands on the money, but standing in their way is a thief, a senile railroad conductor who is in contact with Richard Nixon, a confused FBI agent, an Army deserter, and an attack dog.—Anonymous

Finders Keepers

Finders Keepers (1984)

John Brascia

Burt Lancaster

Will Geer

Opening scene is set in June 1963 at a gathering of a group of shadowy industrial, political and former US intelligence figures who are giving vent to their growing dissatisfaction with the Kennedy administration. The scene takes place in the plush surroundings of the lead conspirator, Robert Foster (Robert Ryan), presumably a Texas oil baron. He and the others are trying to convince Ferguson (Will Geer), a white-suited and mustachioed figure a powerful oil magnate to back their plans for an assassination of President John F. Kennedy. He remains unconvinced saying "I don't like such schemes. They're only tolerable when necessary, and only permissible when they work." James Farrington (Burt Lancaster), a black ops specialist, is also among the group. The film then cuts to somewhere in the desert where a shooting team is doing target practice at a moving object. One of the shooters says that they can only guarantee the operation's success by slowing down the target to 15 mph.The film intercuts between conversations among the lead conspirators, Farrington and Foster, and preparations for the assassination. The approval of the man in the white suit is crucial to the conspirators, although Farrington proceeds to organize two shooting teams in anticipation that he will change his mind.We then see sequences of Ferguson, the man in the white suit, watching contemporary newsreel and becoming clearly concerned at Kennedy's increasingly 'liberal' direction: action on civil rights for black people, Nuclear Test Ban Treaty, nuclear disarmament. The deciding moment comes when he's watching an anti-Kennedy news report on the deteriorating situation in South Vietnam. It is followed by Kennedy's "suicidal" October 1963 decision (National Security Action Memorandum #263, Oct. 11, 1963) to withdraw all US advisors from Vietnam by the end of 1965, effectively ending America's direct involvement in the Vietnam War. Ferguson picks up the phone to tell Foster he now fully supports their project.While the motives of the man in the white suit are clear, through dialogues between Foster and Farrington, the film attempts to cast light on the murky paranoid fears of the conspirators about the future of America and the white races. Foster forecasts the population of the third world in 2000 at 7 billion, "Most of them yellow, brown or black. All hungry and all determined to love; they'll swarm out of their breeding grounds into Europe and America". He sees Vietnam as an opportunity to control the developing world and reduce its population to 550 million: "I've seen the data," says Foster, adding that they can then apply the same "birth-control" methods to unwanted groups in the US: poor whites, blacks and Latinos.The film postulates the same theory as JFK that Lee Harvey Oswald is being steered to become the conspiracy's 'patsy', but unlike JFK, the conspirators use a double of Oswald to shadow him in the weeks leading up to the assassination to leave behind a trail of evidence that the authorities can easily follow and link Oswald alone to the assassination.The film makes no explicit link to US government agencies and the conspiracy, although the professionalism of Farrington's shooting team clearly indicates they have worked for the CIA on special assignments. The film implies that most of the law enforcement and government agencies were not involved in the conspiracy, but they were just grossly inept: no special measures were taken for the president's safety in Dallas; there is no communication between the FBI, CIA, and Secret Service on possible security risks; even the head of the Secret Service stays in Washington during the visit. This explanation helps understand why the authorities were so keen to pin all of the blame on Oswald, the rogue assassin, who is 'served up' by the conspirators to the authorities as an easy escape from any accusations of their own negligence.On November 22, 1963 the assasination is carried out. The post-assassination conspiracy is also covered in the film. Farrington tells the head of the two shooting teams, who at this point don't know who their target is, that after this job he and his men will never have to work again and they can never meet one another ever again. All the assassins are black ops professionals trained never to talk about operations they are involved in. Each one is offered $25,000 per year for the next five years provided the operation's cover isn't blown by 'removing' any people who directly witnessed the assasination of Kennedy. If the cover remains intact in five years time "every man jack of them" will receive a further $100,000 into their Swiss bank accounts for another 10 or more years. The head of the shooting teams then tells Farrington: "You just told me who we're going to hit."At the end of the film, a photo collage is shown of 18 witnesses: all but two of whom died from unnatural causes within three years of the assassination. A voice-over says that an actuary of the British newspaper The Sunday Times calculated the probability that all these people who witnessed the assassination would die within that period of time to be 100 trillion to one.

Executive Action

Executive Action (1973)

Katie Cassidy

Dee Wallace

Richard Riehle

Hanging out at some campgrounds one nice summer day, 19-year-old Ray Pye decides to murder two young women. His friends, Jen and Tim, witness the murder and help him cover it up. Four years later, Ray has never been arrested for the crime. Detective Charlie Schilling and his ex-partner, Ed Anderson, know that Ray did it. They just could never prove it. Charlie figures it's about time they did prove it. He's ready to push Ray harder than ever. Meanwhile, Ray has met his match in a new girl in town, Katherine Wallace. Kath is a bad girl; she and Ray are a potentially explosive combination. Throw in the fact that Ed is having a summer fling with Sally Richmond - a girl young enough to be his daughter. And Sally's just gotten a job at the motel that Ray manages. Ray has his eye on her. Charlie and Ed never found the gun that Ray used to murder the women at the campground. That rifle, as well as a handgun, are hidden behind the mirror in Ray's bathroom. Ray can only be pushed so far. The time will come when he takes the mirror off the wall and shows everyone who is in charge.—Anon

The Lost

The Lost (2006)

Charles Napier

Louisa Moritz

Telly Savalas

Curt Taylor (David Hasselhoff) is a convict and owes Phil Drexler (Telly Savalas), the number one convict in the prison. Now, to settle his debt, Drexler sends Curt to be the secretary for Cartier Rand, Marilyn Hallifax (Dame Joan Collins), so that he can steal her jewels. But he falls in love with her, which complicates things. —

The Cartier Affair

The Cartier Affair (1984)

Mills Watson

Charles Tyner

Cameron Mitchell

Former Chicago policeman Jim Slade is paroled from prison, where he had served time for shooting his wife's lover in their bed. He goes to live with his married friends Quartz and Judy in a small town where he has been offered a job as a night watchman at a college. A college coed is murdered and local sheriff Casey tries to pin the crime on a creepy janitor who spouts biblical revelation while hiding pornography. Slade pursues an unauthorized investigation of his own.[2] Natalie, the murdered student, is the daughter of Senator Clayborne, who subsequently receives blackmail letters related to tapes of her confession to a psychiatric counselor that she had an incestuous relationship with her father. Slade questions possible suspects, including the senator, Natalie's estranged boyfriend Arthur King (who declares to Slade that the generation gap "just got a little wider"), psychology professor Dean Collins and a nerdy student whose taped psychiatric rant was also stolen. All the while, Slade is warned against overstepping his authority as a mere night watchman, no longer a cop, by his parole officer Linda Thorpe and by Quartz. A brief affair between Slade and Thorpe begins. A family of thugs led by a Ma Barker-type mother arrives, and they are revealed to be agents paid by some corrupt members of the sheriff's department to do their dirty work. Slade realizes that the parole officer and Quartz are the perpetrators of the murder, because only Quartz could have known a certain critical clue involved in the cover-up. Sheriff Casey arrests Quartz. As they depart, Slade confronts Thorpe, who produces the stolen tapes that are hidden in her freezer. The sheriff offers Slade an apology and a job even though Slade cannot hold a position with the law as a convicted felon. —anonymous

The Midnight Man

The Midnight Man (1974)

Billy Jayne

Danny Pintauro

Donna Trenton is a frustrated suburban housewife whose life is in turmoil after her husband learns about her having an affair. Brett Camber is a young boy whose only companion is a Saint-Bernard named "Cujo", who in turn is bitten by a rabid bat. Whilst Vic, Donna's husband is away on business, and thinking over his marital troubles, Donna and her 5-year-old son Tad take her Pinto to Brett Cambers' dad's car shop... the car fails, and "Cujo" is very, very sick...

Cujo

Cujo (1983)

Gene Hackman

Hal Needham

Fernando Rey

New York narcotics detective Popeye Doyle follows the trail of the French connection smuggling ring to France where he teams up with the gendarmes to hunt down the ringleader. —Keith Loh

French Connection II

French Connection II (1975)

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