Martin Scorsese

Helen Mirren

Alfred Hitchcock

Francis Ford Coppola

Made in England: The Films of Powell and Pressburger

Made in England: The Films of Powell and Pressburger (2024)

Lily Gladstone

Jennifer Lawrence

Emily Blunt

The Oscars

The Oscars (2024)

Robert De Niro

Clint Eastwood

Robin Williams

The documentary consists of tape of Don's show (never been filmed before), interviews with Don's contemporaries, (Steve Lawrence, Bob Newhart, Debbie Reynolds, etc.), established comedians (Billy Crystal, Rosanne Barr, Robin Williams, Chris Rock, etc.) and young comedians (Jeff Atoll, Jimmy Kimmel, Sarah Silverman, etc.). We have interviewed over 30 people including actors, directors (John Landis, Christopher Guest, Sidney Poitier, Jay Leno, etc.) and various people in Don's life (his composer, orchestra, manager etc.). In addition, we will use some of Don's home movies, clips from the Tonight Show, various TV shows, movies etc. We'll see one of the last great comedians of his era.—Bob Engelman

Mr. Warmth: The Don Rickles Project

Mr. Warmth: The Don Rickles Project (2007)

Bella Ramsey

81st Golden Globe Awards

81st Golden Globe Awards (2024)

Orson Welles

Rita Hayworth

John Ford

This Is Orson Welles

This Is Orson Welles (2015)

Leonardo DiCaprio

Jesse Plemons

Osage Nation elders bury a ceremonial pipe, mourning their descendants' assimilation into white American society. Wandering through their Oklahoma reservation, which features the annual "flower moon" phenomenon of fields of blooms,[19] several Osage find oil gushing from the ground. The tribe becomes wealthy, as it retains mineral rights and members share in oil-lease revenues, though law requires white court-appointed legal guardians to manage the money of full and half-blood members, assuming them "incompetent".In 1919, Ernest Burkhart returns from World War I to live with his brother Byron and uncle William King Hale on Hale's large reservation ranch. Hale, a reserve deputy sheriff/cattle rancher popularly called "King", poses as a friendly benefactor of the Osage, speaking their language and bestowing gifts. He suggests that Ernest court Mollie Kyle, an Osage whose family owns oil headrights. Ernest, who alongside Byron has been committing armed robbery against the Osage, meets Mollie via his day job as a cab driver. A romance develops, and the two marry in a ceremony mixing Catholic and Osage elements. Over time, they raise three children.Hale secretly plans the deaths of several wealthy Osage. He tells Ernest he will inherit more headrights if more of Mollie's family dies. Mollie is diabetic, and her mother Lizzie is ill. After Mollie's sister Minnie dies of a mysterious illness, Hale orders Byron to kill Mollie's other sister, the rebellious Anna. Lizzie and the Osage council blame the reservation's white residents and urge the tribe to fight back.A newsreel of the 1921 Tulsa race massacre, in which white people destroyed a black community and killed numerous residents, causes further concern amongst the Osage that they could suffer similarly. Lizzie sees her ancestors welcome her to the afterlife as she dies. Hale has Ernest organize the death of Henry Roan, Mollie's first husband, to collect on his life insurance. However, Ernest botches it, causing Hale to brutally paddle him in a Masonic temple.The local sheriff and judges are corrupt; no investigations are made. An Osage Nation representative seeking to lobby Congress is murdered in Washington, D.C. Mollie hires private detective William J. Burns, but Ernest and Byron beat and chase him away from the reservation.Despite her illness, Mollie travels to Washington with an Osage delegation and asks President Calvin Coolidge for help. Because of this, Hale persuades Ernest to poison Mollie's insulin to "slow her down". Mollie's condition worsens, and Ernest sometimes swallows the poison himself from shame. Hale orders Ernest to arrange the murders of Reta, Mollie's last remaining sister, and her husband by having criminal Acie Kirby blow up her house. Mollie inherits all her family's headrights.Due to Mollie's lobbying, the Bureau of Investigation (BOI) sends Agent Thomas Bruce White Sr. and assistants to investigate; they quickly find out the truth. Hale tries to cover his tracks by murdering several of his own men, including Acie, but White arrests Hale and Ernest. The agents find Mollie severely ill and get her proper medical care.White persuades Ernest to confess and turn state's evidence against Hale. W. S. Hamilton, Hale's attorney, tries to convince Ernest to claim he was tortured and recant. However, after one of his and Mollie's daughters dies of whooping cough, Ernest testifies against his uncle. Hale unsuccessfully tries to have Ernest murdered. Mollie meets with Ernest after he testifies, but leaves him when he will not admit to poisoning her.A radio show later reveals the aftermath. Ernest and Hale were convicted and received life sentences. Both were paroled after years of incarceration, despite Osage protests to the parole board. Byron served no prison time due to a hung jury.[c] The Shoun brothers, who gave Ernest the poison for Mollie and were implicated in other "wasting deaths", were not prosecuted for lack of evidence. After the trial, Mollie divorced Ernest, remarried, and died of diabetes in 1937 at the age of 50. She was buried with her parents, sisters and daughter. Her obituary did not mention the Osage murders. A 21st century Osage powwow with a large dancing circle is later shown.

Killers of the Flower Moon

Killers of the Flower Moon (2023)

Colleen Camp

Ron Howard

Pam Grier

Karate-kicking midgets! Paper-mache monsters! Busty babes with blades! Filipino genre films of the '70s and '80s had it all. Boasting cheap labour, exotic scenery and non-existent health and safety regulations, the Philippines was a dreamland for exploitation filmmakers whose renegade productions were soon engulfing drive-in screens around the globe like a tidal schlock-wave! At last, the all-too-often overlooked world of drive-in filler from Manilla gets the Mark Hartley (NOT QUITE HOLLYWOOD) treatment in Machete Maidens Unleashed! This is the ultimate insiders' account of a faraway backlot where stunt men came cheap, plot was obsolete and the make-up guy was packing heat! Machete Maidens Unleashed! features interviews with cult movie icons Roger Corman, Joe Dante, John Landis, Sid Haig, Eddie Romero and a large assembly of cast, crew and critics, each with a jaw-dropping story to tell about filmmaking with no budget, no scruples, no boundaries and - more often than not - no clothes. Strap yourselves in - and join us for a non-stop Filipino femme-fest, all the way from the jungles of the Pacific via the trash cans of the critics!—anonymous

Machete Maidens Unleashed!

Machete Maidens Unleashed! (2010)

Slash

Tony Bennett

Robbie Robertson

Many artists and musical forms played a role in the creation of rock, but arguably no single piece of music was more influential than the 1958 instrumental "Rumble" by American Indian rock guitarist and singer/songwriter Link Wray.When recalling Link Wray's shivering guitar classic, "Rumble," Martin Scorsese marvels, "It is the sound of that guitar . . . that aggression." "Rumble" was the first song to use distortion and feedback. It introduced the rock power chord - and was one of the very few instrumental singles to be banned from the radio for fear it would incite violence.RUMBLE explores how the Native American influence is an integral part of music history, despite attempts to ban, censor, and erase Indian culture in the United States.
As RUMBLE reveals, the early pioneers of the blues had Native as well as African American roots, and one of the first and most influential jazz singers' voices was trained on Native American songs. As the folk rock era took hold in the 60s and 70s, Native Americans helped to define its evolution.Father of the Delta Blues Charley Patton, influential jazz singer Mildred Bailey, metaphysical guitar wizard Jimi Hendrix, and folk heroine Buffy Sainte-Marie are among the many music greats who have Native American heritage and have made their distinctive mark on music history. For the most part, their Indian heritage was unknown.RUMBLE uses playful re-creations and little-known stories, alongside concert footage, archives and interviews. The stories of these iconic Native musicians are told by some of America's greatest music legends who knew them, played music with them, and were inspired by them: everyone from Buddy Guy, Quincy Jones, and Tony Bennett to Iggy Pop, Steven Tyler, and Stevie Van Zandt.RUMBLE shows how Indigenous music was part of the very fabric of American popular music from the beginning, but that the Native American contribution was left out of the story - until now.

Rumble: The Indians Who Rocked The World

Rumble: The Indians Who Rocked The World (2017)

Hugh M. Hefner

Werner Herzog

Barbara Harris

'Life Itself' recounts the surprising and entertaining life of world-renowned film critic and social commentator Roger Ebert - a story that's by turns personal, wistful, funny, painful, and transcendent. The film explores the impact and legacy of Roger Ebert's life: from his Pulitzer Prize-winning film criticism and his nearly quarter-century run with Gene Siskel on their review show, to becoming one of the country's most influential cultural voices, and finally to Roger's inspiring battles with cancer and the resulting physical disability - how he literally and symbolically put a new face on the disease and continued to be a cultural force despite it.—Anonymous

Life Itself

Life Itself (2014)

Steven Spielberg

Meryl Streep

Eastwood Directs: The Untold Story

Eastwood Directs: The Untold Story (2013)

Whitney Houston

Kanye West

Michael Jackson

Bad 25

Bad 25 (2012)

Quentin Tarantino

Ridley Scott

Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.

The Cutting Edge: The Magic of Movie Editing

The Cutting Edge: The Magic of Movie Editing (2004)

Wim Wenders

Ken Loach

Why are we still able to watch moving images captured over 125 years ago? As we move ever further into the digital age, our audiovisual heritage seems to be taken increasingly for granted. However, much of our filmed history and cinema has already been lost forever. Film archivists, curators, technicians and filmmakers from around the world explain what film preservation is and why it is needed. Our narrators are custodians of film whose work behind the scenes safeguards the survival of motion pictures. It is a task they undertake based on their closely held belief in the artistic and cultural value of the moving image, in tune with a shared mantra that a film might one day transform someone's life. This documentary pays homage to them all and sheds some light on their critical undertaking.—El Grifilm Productions

Film: The Living Record of Our Memory

Film: The Living Record of Our Memory (2021)

Jennifer Connelly

A worldwide homage by various artists to the legendary italian director Sergio Leone, pioneer in the western genre and famous for the creation of the subgenre "speghetti western".

Sergio Leone - L'italiano che inventò l'America

Sergio Leone - L'italiano che inventò l'America (2022)

Sylvester Stallone

Robert Carradine

David Carradine

Coy "Cannonball" Buckman is a race driver-turned parolee, who signs on to compete in the Trans-Continental Road Race, a cross-country journey starting at the Santa Monica Pier and ending at a garage in New York City. This does not sit well with Coy's parole officer girlfriend Linda Maxwell, who is legally responsible for him and he could go back to prison for violating his parole. Fixing up Coy's red Pontiac Trans Am is his loyal pal Zippo Friedman, who decides to enter the race himself in a identical Trans Am and even dressing up like Coy to fool the cops. Coy's rival is Cade Redman, an embittered fellow racer, who is also tasked to take no-talent country singer Perman Waters and his mother Sharma Capri to New York to jump-start Perman's stalled career.Other participants in the race is eccentric European racing champ Wolfe Messer, driving a yellow DeTomaso Pantera, Jim and Maryann Crandell, a surfer couple racing in a silver Corvette owned by her father. Terry McMillan, who sheepishly uses sneak tactics to make it to New York without driving his orange Chevorlet Blazer, Beutell Morris, who uses the race as a ruse to help a rich couple deliver their Lincoln Continental to New York without a single scratch, and Sandy, driving a custom blue van with her two waitress friends, Judy and Ginny. What Coy does not know is that his gambler brother Bennie made a deal with mob boss Lester Marks to make sure Coy wins the race as Bennie is in heavy debt to them.Linda has no choice but to accompany Coy in the race, but eventually decides to leave her in Zippo's company, when Redman starts trying to run him off the road. Not long after, the dirty tricks begin to come into play: Bennie, with the help of his prison escapee friend Sharpe, secretly planted a bomb under Messer's Pantera, which explodes during a police pursuit in the desert and Redman shoots out a tire in Coy's Trans Am. He later beats up Sharpe, posing as a motorcycle cop pretending to stop Coy on a routine traffic stop, and confronts Redman at a roadside grocery store, where they wreck the entire establishment. Redman escapes the melee and shatters the headlights on Coy's car before taking off. That night, Coy notices the broken headlights and winds up totaling his car on a winding mountain road, but not after being loaned a green Ford Mustang by a pair of rural auto mechanics, who are big fans of him.Redman gets word that Coy is still in the race and is forced to call in more reinforcements to stop him. They mistake Zippo as Coy and beat him to a pulp, with Linda defeating most of the men with judo and karate moves. Coy shows up and learns from Linda that Zippo was actually driving the car that night when a young girl died, resulting in Coy's prosecution. Coy tells Linda that he took the fall for it because Zippo would have never survived in prison. Linda wants to ride with Coy again, for fear of her safety, but Coy says the race is almost over and they will be together soon. Other sub-plots include Jim's Corvette suffering from a damaged fan belt and after unsuccessful attempts to repair it, they try to steal one from a supermarket parking lot, only to be chased away by a suspicious cop and Sandy and her friends duping a pair of handsome patrolmen by having sex with them to avoid a speeding ticket.At this point, a half-crazed Redman notices Coy driving into the construction site of an unfinished bridge. He dumps Perman and Sharma out of the car and speeds after him. Coy manages to jump the bridge to the other side, but Redman's brakes give out and pummels down to a fiery death. Meanwhile, Sharpe plans to assassinate Coy using a sniper rifle, not knowing it is actually Zippo driving the car. Sharpe shoots Zippo through the head and loses control of the Trans Am, ejecting Linda in the process, and explodes. Beutell, distracted by the explosion, accidentally knocks down the car Sharpe was laying under, fatally crushing him. Jim and Maryann spot Linda lying on the road and to take her to a nearby hospital, but not after unintentionally causing a multi-car pile-up. At the hospital, the doctor tells them she will be okay and Jim thinks they should forget about the race and go home, but Maryann still wants to push forward, even though they might not win first place.Terry and his girlfriend Louisa are the first ones to arrive at the finish line, but are disqualified when she blabs that they left their celebratory champagne on the plane. The second one to arrive is Coy, who is greeted by Bennie, but the victory is cut short when a TV cameraman tells Coy about the pile-up, the other red Trans Am destroyed in the explosion, and that Linda was taken to the hospital. Coy learns the truth about the plan Bennie had all along, rips up his race ticket, and heads for the hospital, as a disappointed Lester and his bodyguard escort a doomed Bennie to Lester's limo, as Jim and Maryann arrive and end up the official winners of the race. At the hospital, Coy rushes to Linda's room and is relieved to see her alive, but badly injured, and the two lovingly embrace, as Beutell eventually delivers the now-wrecked Lincoln to the couple standing outside a downtown hotel.

Cannonball

Cannonball (1976)

Elias Koteas

Elia Kazan

Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.

A Letter to Elia

A Letter to Elia (2010)

Scarlett Johansson

Naomi Watts

Owen Wilson

Iconic writer, director, actor, comedian and musician Woody Allen allowed his life and creative process to be documented on-camera for the first time. With this unprecedented access, Emmy-winning, Oscar-nominated filmmaker Robert B. Weide followed the notoriously private film legend over a year and a half to create the ultimate film biography. "Woody Allen: A Documentary" chronicles Allen's career - from teen writer to Sid Caesar's TV scribe, from stand-up comedian to award-winning writer-director averaging one film-per-year for more than 40 years. Exploring Allen's writing habits, casting, directing, and relationship with his actors first-hand, new interviews with A-listers, writing partners, family and friends provide insight and backstory to the usually inscrutable filmmaker.

American Masters Woody Allen: A Documentary

American Masters Woody Allen: A Documentary (2011)

Woody Allen

Lars von Trier

Ingrid Bergman

Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.

...But Film is My Mistress

...But Film is My Mistress (2010)

Harvey Keitel

Sophia Loren

Rutger Hauer

A spotlight on Italian maestro Lina Wertmüller, the visionary and groundbreaking Italian writer-director who worked side by side with Federico Fellini and went on to make more than 30 films becoming the first woman ever to receive Academy Award nominations for Best Director, Best Original Screenplay and Best Foreign Film. A career tribute documenting her 50th anniversary in film enriched with interviews from many internationally renowned artists and critics.

Behind the White Glasses

Behind the White Glasses (2015)

Lonette McKee

In 'Round Midnight, real-life jazz legend Dexter Gordon brilliantly portrays the fictional tenor sax player Dale Turner, a musician slowly losing the battle with alcoholism, estranged from his family, and hanging on by a thread in the 1950's New York jazz world. Dale gets an offer to play in Paris, where, like many other black American musicians at the time, he enjoys a respect for his humanity that is not based upon the color of his skin. A Parisian man who is obsessed with Turner's music befriends him and attempts to save Turner from himself. Although for Dale the damage is already done, his poignant relationship with the man and his young daughter re-kindles his spirit and his music as the end draws near.

'Round Midnight

'Round Midnight (1986)

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