Marcello Mastroianni

Laura Antonelli

Gastone Moschin

Since her husband pronounced her frigid on her wedding night, Antonia DeAngelis has been an invalid. When he disappears, she believes him dead: she leaves her bed and takes over his business, traveling to see clients. She discovers her husband's passions, his political writing, mistresses, and his indifference to the peasants on her family's land. She improves their lot, begins an affair with a young foreign doctor, and publishes her husband's writings. All this time, he's hiding from a murder charge in a house across the square. Amazed, he watches her become his sexual and social equal. After the police drop the murder charge, will he disappear, end his life, or rejoin her on new terms? —

Wifemistress

Wifemistress (1977)

Corin Redgrave

Warren Mitchell

Margaret Blye

The rightful heir to the Russian Imperial Jewels recruits a ragtag team of female petty thieves and cat burglars to steal them from a British museum.

Diamonds for Breakfast

Diamonds for Breakfast (1968)

In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man ^Óof a certain age^Ô looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze. —

Marcello Mastroianni: I Remember

Marcello Mastroianni: I Remember (1997)

Giulietta Masina

Federico Fellini

Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help. —Anonymous

NBC Experiment in Television Fellini: A Director's Notebook

NBC Experiment in Television Fellini: A Director's Notebook (1969)

Roberto Benigni

Nanni Moretti

Daniel Toscan du Plantier

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results. —

Fellini: I'm a Born Liar

Fellini: I'm a Born Liar (2002)

Vernon Dobtcheff

Jean-Louis Trintignant

Harvey Keitel

In June of 1791, a group of passengers in a stagecoach find themselves caught up in the events of the French Revolution, when they find themselves in the city of Varennes when revolutionists arrest the fleeing King Louis. —frankfob2@yahoo.com

That Night in Varennes

That Night in Varennes (1982)

Claude Brasseur

Olivier Martinez

One, two, three, sun is the story of Victorine ( Anouk Grinberg ) who grew up in the suburbs of Marseille, stifled by her mother ( Myriam Boyer ) and caught between the urge to grow up and that of helping her father alcoholic ( Marcello Mastroianni ) to heal and go home. Victorine becomes an adult somehow and meets her first love, Petit Paul ( Olivier Martinez ) who is killed with a shot by the bastard ( Claude Brasseur ). Later, Victorine meets Maurice Jean-Michel Noirey, her future husband.

1, 2, 3, Freeze

1, 2, 3, Freeze (1993)

Valentina Cortese

The story of Jean Valjean, still pursued by Javert, continues with a love developing between Cosette and radical student Marius, a blackmailing attempt by suspicious innkeeper Thenardier, and a climax on the barricades of Paris.

Tempesta su Parigi (1948)

Tempesta su Parigi (1948) (1948)

Leslie Phillips

Vittorio De Sica

Naples, 1806. The king Ferdinand I of the Two Sicilies is frowned upon by the people, especially the comic theatrical Pulcinella, which continually delivers hard sermons, earning a reputation among the Neapolitans.

Ferdinando I° re di Napoli (1959)

Ferdinando I° re di Napoli (1959) (1959)

Eartha Kitt

A group of Italian soccer fans arrive in Paris for a match, but most of them go their separate ways to explore the sights, have a bit of an adventure, and maybe even find some romance.

Parigi è sempre Parigi

Parigi è sempre Parigi (1951)

Jeanne Moreau

In Milan, after visiting dear friend Tommaso Garani that is terminal in a hospital, the writer Giovanni Pontano goes to a party for the release of his last book, and his wife Lidia Pontano visits the place where she lived many years ago. In the night, they go to a night-club, and later to a party in the mansion of the tycoon Mr. Gherardini. Along the night, Giovanni flirts with Valentina Gherardini, the daughter of the host, and then he receives a proposal to work for him in the area of communication and write the history of his company. Meanwhile, Lidia flirts with the playboy Roberto. —Claudio Carvalho, Rio de Janeiro, Brazil

La Notte

La Notte (1961)

Anita Ekberg

Cinecitta, the huge movie studio outside Rome, is 50 years old and Fellini is interviewed by a Japanese TV crew about the films he has made there over the years as he begins production on his latest film. A young actor portrays Fellini arriving at Cinecitta the first time by trolley to interview a star. Marcello Mastroianni dressed as Mandrake the Magician floats by a window and Fellini followed by TV crew takes him to Anita Ekberg's villa where the Trevi fountain scene from Dolce vita, La (1960) is shown on a sheet that appears and disappears as if by magic.

Intervista

Intervista (1987)

Melvil Poupaud

Arielle Dombasle

Take a walk into the dreamlike world of filmmaker Raul Ruiz as he takes us to Paris for a twisting ride. Four strangely symmetrical stories unfold involving love, lust, crime, and time.

Three Lives and Only One Death

Three Lives and Only One Death (1996)

Sophia Loren

John Vernon

Adolf Hitler

It's the late 1930's Rome. It's a national holiday in Italy today for the first state visit of Adolf Hitler to the country. The occasion is being marked by a lavish parade with both Hitler and Benito Mussolini to celebrate their political friendship/alliance in the name of fascism. Most of the Roman populace will attend the parade to celebrate with their leader. Two that will not be are the following. Antonietta Taberi, who would have liked to have gone to the parade, has to stay at home to attend to her domestic chores in duty to her husband Emanuele and their six children, all who have gone to the parade without her. Gabriele is a former announcer on Italian Public Radio. Despite living in the same apartment complex (Gabriele only for the last two months) with their apartment windows facing each other across the courtyard, Antonietta and Gabriele meet for the first time today in Antonietta's need to access his apartment to retrieve her escaped myna bird. Their encounter is important...

A Special Day

A Special Day (1977)

Vittorio Gassman

During a dinner in a Roman terrace, the lives and experiences of multiple characters intertwine.

La terrazza

La terrazza (1980)

Isabella Rossellini

Silvana Mangano

Marthe Keller

Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the clownish and superfluous Romano Patroni leaves his wife's opulent home to visit a spa where he falls in love with a Russian woman whose marriage is a horror. He pursues her into the Russian heartland and returns to Italy resolved to leave his wife and marry his love. His amazed and appreciative Russian listener then narrates a shorter story. —

Oci ciornie

Oci ciornie (1987)

Sonia Braga

In 1925, Nacib (Marcello Mastroianni) is the owner of bar in a small Brazilian coastal town runs by the local colonels. He meets Gabriela (Sonia Braga) and hires her on as a cook. They soon enter a passionate relationship, fueled by his strong attraction to her sensual nature. However, he soon grows annoyed by the attention she receives. Under advisement of his best friend, Tonico (Cantafora), he proposes to her, partly in the hopes that the attention quells. After their marriage, he insists that she dress and behave more modestly so they can be seen as more respectable. Unfortunately, she cannot help but stray and he is forced to annul the marriage when he finds her in bed with Tonico. Later, as both Nacib and the town begin to undergo a transformation, Nacib and Gabriela resume their relationship. The political ways of the town modernize slightly and Gabriela returns as Nacib's mistress.

Gabriela

Gabriela (1983)

Jacqueline Bisset

Police commissioner Santamaria is investigating the murdering of the ambiguous architect Mr. Garrone. The investigations soon drive him into the Torino's high society. Santamaria suspect Anna Carla and at the same time falls in love for her. Lello is the lover of Massimo, a homosexual platonic friend of Anna Carla. He is following another direction in order to find out the truth, and his results are confusing the Policeman. But another murdering happens...

La donna della domenica

La donna della domenica (1975)

Philippe Noiret

Four middle-aged friends and members of the professional bourgeoisie, Ugo, a chef and restaurant owner, Marcello, an incorrigible womanizer and Alitalia pilot, Michel, a delicate television producer, and Philippe, a venerable magistrate, gather for a debaucherous weekend at the latter's Parisian villa. There, as the four men prepare for a Romanesque feast, truckloads of fine food and wine arrive, accompanied by three elegant and lithe prostitutes. Without a doubt, the rapacious and degraded hedonists are determined to eat themselves to death, one elaborate morsel after another, nevertheless, for what reason?

La Grande Bouffe

La Grande Bouffe (1973)

Annie Girardot

The story of exploited textile factory workers in Turin, Italy at the turn of the century and their beginnings of their fight for better working conditions. Professor Sinigaglia (Marcello Mastroianni) is sent by (presumably) the Socialists to help them organize their strike and give form to their struggle. —alfiehitchie

45 YIFY Movies Found

6.9 / 10

ComedyDrama

5.4 / 10

Comedy

7.9 / 10

BiographyDocumentary

6.6 / 10

AnimationComedy

7.1 / 10

BiographyDocumentary

7.3 / 10

DramaHistory

6.4 / 10

ComedyDrama

6.7 / 10

Drama

6.6 / 10

ActionComedy

6.3 / 10

ActionComedy

8.1 / 10

ActionDrama

7 / 10

ComedyDrama

6.9 / 10

ComedyCrime

8.1 / 10

Drama

7.1 / 10

ComedyDrama

7.4 / 10

ActionComedy

6.3 / 10

ActionComedy

6.6 / 10

ComedyCrime

7.2 / 10

ActionComedy

8 / 10

ActionDrama

Comedy
Drama

Biography
Documentary

Animation
Comedy

Biography
Documentary

Drama
History

Comedy
Drama

Action
Comedy

Action
Comedy

Action
Drama

Comedy
Drama

Comedy
Crime

Comedy
Drama

Action
Comedy

Action
Comedy

Comedy
Crime

Action
Comedy

Action
Drama